The Rubai Genre In The Works Of Jamal Kamal

It is known that rubai is a common lyrical genre in the literature of the peoples of the East. This artistic development was achieved in the works of classical poets such as Umar Khayyam, Pahlavon Mahmud, Alisher Navoi, Babur, Ogahi, Munis.


LITERATURE REVIEW
The main factor in the strong position of this genre in the work of the poet is, firstly, his good knowledge of Oriental literature, and secondly, the translation of Umar Khayyam, Ibn Sino, Baba Tahiri Uryan rubai from Persian Tajik into Uzbek. The process of translation had a great influence on the poet's artistic rise. It can be said that the universal ideas and views in the works of the great rubai writers were also reflected in the rubai of J. Kamal. It is known from literary theory that the rubai has its own strict weight and is written in the ahram and akhrab trees of the hazaj bahri. These trees consist of 24 parts. In addition, the rubai is rhymed in two ways: if it is in the form of a-a-b-a, it is khose rubai; if rhymed as a-a-a-a, it is called taronai rubai.

ANALYSIS
There are both versions of the rubai in Jamal Kamal's work. Including: It's an honor, I want to, (Ul sho-nu / sha-raf-ki, ma / -nu man is-tar /man,) I would like a rose petal, (Gul-bar-ra / -vu bar-gi yo / -su-man is-tar /man.) I'd like flowers in the garden, (Bog' ich-ra / che-chak-lar-ni / cha-man is-tar /man,) I want to heart the homeland.
(El ich-ra / va-tan-lar-ni / yu-rak is-tar / -man.) Maf-uv-lu / ma-fo-iy-lun / ma-fo-iy-lun / fa' The above rubai hazaji musammani ahram is written in abtar weight. Irrigated with the spirit of vitality, this rubai expresses the lyrical hero's desire to achieve self (manu man istash). The poet sees his identity in an open bag in the garden. You will have a pure heart in the heart of the country, (Yurt ko'k-si / -da to-za bir / yu-rak bo'l-gay /sen,) You will be a pillar for nation's happiness (El bax-ti-ga / tog' ka-bi tir / -gak (i) bo'l-gay /sen) Be patient and keep your faith healthy (Sabr ay-la / -yu iy-mon-ni / sa-lo-mat saq / -la,) One day you will be needed in this country (Bir kun shu / va-tan-ga ke / -rak (i) bo'l-gay /sen.)

Maf-uv-lu / ma-fo-iy-lun / ma-fo-iy-lun / fa'
The above rubai is also written in the Hazaji musammani ahram abtar weight. It reflects on the duty of childhood to the country. "Pure heart in the heart of the country" is an artistic invention of the poet.
This is the first condition that the country needs. "To be a pillar of nation's happiness " is the next condition to be a worthy child. In addition, patience and keeping the faith healthy are good deeds for becoming a child of the country. Such life content is embedded in the verses of the rubai.
It is a centuries-old literary tradition that in classical poetry the rubai are also written on the theme of love. Jamal Kamal also creatively continued this tradition. His rubai on the subject of love confirm our views: O flower, your flower is so clear (Ey gul, gu / -ling, ta-ro-va / -ting mun-cha / tiniq,) The fondness in the garden is so clear (Bog' (i) ich / -ra la-to-fa / -ting bun-cha / ti-niq.)

Maf-uv-lu / ma-fo-iy-lun / ma-fo-iy-lun / fa-al
The American Journal of Social Science and Education Innovations (ISSN -2689-100x) The ruby weight above is peculiar. Created in two different weights at the same time. The first two verses of the hazaji musammani ahrami makfufi ajab are written in weight, and the next two verses are written in the weight of the hazaji musammani axrami ajab.
This is also a characteristic feature of the poet's style. The flower is a metaphor and represents a beloved lover. The poet sees the beauty of the mistress in its freshness, grace, in the purity of the morning. "A handful of silver thaw" is a poetic invention of the poet, a difficult metaphor applied to a lover. Consequently, it is based on the whiteness of the morning. "Silver Thaw" means a white face. Khose Rhyme as a rubai in the form of aaba (tarovating, latofating, tal'ating). I had a wonderful dream last night, (O't-gan ke / -cha uy-qum-da / a-jib tush / ko'rdim,) I liked the moon piece face again.

Maf-uv-lu / ma-fo-iy-lun / ma-fo-yil / fa'-lun
This rubai is written in hazaji musammani ahrami maksuri aslam weight. In the rubai, the beautiful face of the sweetheart resembles a piece of the moon. The mistress herself is described as a "bride in a silk scarf." In these images, the lyrical protagonist expresses his love for his lover. She is a gentle valentine walker, a stander, (Ul noz-li / ni-gor yur-gu / -si-dur, tur-gu / -sidir,) It's a pain in the ass, a laugh.

Mav-uv-lu / ma-fo-iy-lun / ma-fo-iy-lun / fa-al
The above rubai is written in hazaji musammani ajabb weight. In this rubai, the beloved is described as a beautiful "flirtatious valentine." Her looks, her laughter hurt the soul of the lover. The walk of the lover is like a sambit, his laughter, her smile kills the lover at every moment, that is, she kindles love in his heart.
Apparently, the poet's rubai on the theme of love, first of all, have a special artistic content due to their tradition, as well as their richness of difficult assimilation and metaphors. Jamal Kamal's rubai drank water from the sources of Eastern poetry. Therefore: Give me a breath of the smell of Bukhara, (Ber-gil me / -nga bir na-fas Bu / -xo-ro bo'-yidin,) Pour me a cup of Bukhara water, (Qo'y-gil me / -nga bir ko-sa Bu / -xo-ro su-yidin,) O man of the garden, (Ey bo-g'u / cha-man-lar ko' / -yi da er-ka sabo,) Bring me a bass from Bukhara (Kel-tir me / -nga bir na-sim / Bu-xo-ro ku / -yi-din… [257])
After all, Bukhara is the birthplace of the poet. The country that introduced him as a poet is the great Tashkent. While living in Tashkent, he felt a great love for Bukhara. That is why the whole of Bukhara, the pure fragrances coming from this direction, feel thirsty for the water of Bukhara. He wants the people of this country to report on Bukhara.
Another distinctive feature of the poet's rubai is that they are imbued not only with a moralphilosophical content, but also with a social spirit. This can be assessed as a renewal of the poet's poetic thinking. Therefore, the rubai on the theme of independence confirm our views: Let everyone be independent (Har kim-sa-yu kas-da mus-ta-qil-lik bo'l-sin,) May every dream be independent.

Maf-uv-lu / ma-fo-iy-lun / ma-fo-yil / fa-al
The above rubai, written in hazaji musammani ahrami makfufi ajabb weight, is a logical continuation of the rubai we have analyzed. The verses written as an appeal to the people reflect the glory of our independence. The poet calls the people's perseverance and independence "the greatest happiness in the world." An important genre feature of the rubai is that it conveys the cream of vital philosophical ideas and thoughts. J. Kamal's rubai are also traditional in this respect. In particular, the interpretation of life plays an important role in the classical poetry of the East. The following narration of Umar Khayyam is important in this regard: We came clean, we were dirty cause of vexation.
(Pok kel-ga / -n e-dik a-lam / -din, no-pok / bo'ldik.) We arrived at the door happy and be sad.  According to Umar Khayyam, it is a holiday of life. However, it should be celebrated with joy and determination. According to the poet, "capital is the property of the world" is life. Man is unaware that he has passed. The following rubai of Jamal Kamal echoes this: This anxiety will inevitably pass, (Bu tash-vish-u g'al-va be-gu-mon o't-gu-si-dir,) Without imagining the past, it still goes.
Therefore, in order to reach the "dream destination", it is necessary to appreciate it, says the poet.
Apparently, Jamal Kamal, as a translator of the rubai, incorporated their noble thoughts and ideas into his rubai as well. It can be said that J. Kamal's rubai can be compared to classical rubai not only in form but also in content.
It can be observed that Jamal Kamal's rubai were in harmony with the rubai of Navoi and Babur. The following rubai of Navoi on the theme of love is a proof of our opinion: I love you dear, dear life, (Jondin seni ko'p sevarmen, ey umri aziz) So I love you so much, dear life. (Sondin seni ko'p sevarmen, ey umri aziz)